In less than a month I will be off to the 5th North American Historical Novel Society Conference in St. Petersburg Florida, where I will be sitting on two panels—“Location, Location, Location” (discussing how setting is the mortar board upon which historical novels are built and tackling topics related to recreating period locations); and “The Feisty Heroine Sold into Marriage Who Hates Bear Baiting: Clichés in HF and How to Avoid Them” (title of this one says it all).  

Those of you who were kicking around this then-new blog 2 years ago know what my conference attendance means. . .lots of juicy post-event blogging on trends in the genre and topics of historical fiction interest.  But why should you wait until after?  How about a conference teaser—an interview reunion with HNS panelist, Nancy Bilyeau.

Nancy is the author of a pair of marvelous historical thrillers following the adventures of novice nun, Joanna Stafford, as she seeks to survive and thrive in Henry VIII’s England while the monasteries are dissolved around her.  Nancy’s first book, The Crown, released in 2012 to immediate critical acclaim.  “O” (The Oprah Magazine) called it, “A juicy blend of lust, murder, conspiracy, and betrayal.”    Nancy’s second book, The Chalice, released this past spring to the eager embrace of existing fans and new ones alike.

Nancy last visited me immediately after the release of her debut novel.  I present for your pleasure an update to that interview.

1)     Since we last sat down together in our virtual chairs your second novel, The Chalice, came out.  Can you tell us a little bit about the new book?

In the second book, it’s 1538, and my main character, Joanna Stafford, is caught in the crosswinds of time. She is a Dominican novice without a nunnery—Henry VIII has broken with Rome, and all the monasteries have been seized. Joanna must decide what path to follow now, and while she seeks a quiet life of tapestry weaving and raising her orphaned relative, Arthur, the kingdom is far from stable. There is a conspiracy against the king, one revolving around prophecy, and Joanna is targeted by those who want Henry VIII off the throne. She learns that the prophecy is about her – and an act she must take in the future, one that could be very dark and dangerous. So the conflict of the book is: If you loved something very much and you had a chance to save it but to do so you must commit an act that is perhaps unforgivable, would you do it? 

2)     inspired you to choose a fictional Dominican nun as the heroine of your series?

I first chose to set a book in the 16th century—simply because it is my favorite century from history. I love mysteries and thrillers, and wanted to attempt to write one with a female protagonist. It took me a long time to figure out who would be the person. I didn’t want a royal or lady in waiting, yet someone living in a Tudor village, I feared it would be too hard to inject that woman into conflict that rises to the level of a thriller. A nun struggling for her future in the middle of the Dissolution of the Monasteries—when the Catholic Church was being violently dismantled—could be quite compelling. Finally, I picked a Dominican because there was only one such order in England, and that made it special.

3)     I found it refreshing that Joanna stayed “in character”—true to the religious sentiments one would expect a 16th century nun to have.  How difficult was it for you to achieve that?  Do you think it was a risky choice given you are writing for a modern—and generally rather skeptical—audience?

One of my pet peeves is characters in historical novels who have modern sensibilities. It’s the easy way out. There is some strange part of my personality that compels me toward the most difficult choices. Sometimes I wish it were otherwise! But as soon as I decided on a nun, I was determined to make her authentic to the spiritual values of the period. I didn’t want to write a book with a reluctant nun who is forced into it by her father or retreats to a priory after rejection by a man. Again, that’s the easy way out. I did worry that readers would be turned off by a spiritual woman but I’ve not seen that reaction. Readers of historical fiction are eager for authentic behavior, I’m more convinced of that than ever. Commit anachronisms at your peril!

The way I tried to achieve it was reading what women in religious orders actually wrote: Catherine of Siena, Hildegarde of Bingen, Teresa of Avila. That helped get me in the proper mood. Also a writing teacher recommended I research the lives of the early female Catholic saints, the ones who were torn to pieces in the Roman Coliseum or who became martyrs in the Dark Ages and medieval period. The thinking of these women is about as far from a 21st century mindset as you can get.  Just fascinating. 

4)     Besides Joanna, who is your favorite character in the series?  Who is your least favorite?  Why?

Brother Edmund is my second favorite—I like to think that he is a pretty original character and for some reason I have tremendous sympathy for him. He’s a mix of strengths and weaknesses. I tried my best to make all the characters nuanced. I don’t like two-dimensional people hurtling through thrillers. Or characters with worn-out identifying descriptions: a natural beauty, a strong-jawed man. Ugh.

My least favorite character? Hmmmm. That’s an interesting question. Did I create a character I personally would dislike? Apart from George Boleyn—and I can’t give away why I wouldn’t want to have encountered him at a tender age, or else that would be a spoiler—it would have to be the young prioress in The Crown. She was inspired by a boss I once had—a very difficult one. In fact, I drew on my personal work history, my years in the magazine business, when depicting life in the priory. I thought about it a lot, and decided that though the stereotype of a nunnery was of graceful, serene ladies floating down the halls in harmony, I imagined that there would be the rivalries and tensions found in any group of people essentially working together, and in this case living together too. I was very happy to receive an email from a Dominican nun and two emails from friars that said I captured correctly the essential feeling of life in an enclosed religious community.

5)     Truth is often stranger than fiction.  In our last talk I asked you about interesting discoveries made while researching The Crown.  When you set out to write its sequel, The Chalice, what was the most unusual or unexpected thing you discovered in that process?

I was stunned by how much belief there was in astrology, alchemy and prophecy, from the highest levels of society to the lowest. The mid-16th century was a very mystical time.

6)     Writing a series presents special challenges to an author.  What, in your opinion, is the most difficult aspect of writing sequential novels?  The most rewarding?

The most rewarding aspect is that I love my characters and I want to write them in new situations, whether it’s political crisis or romantic entanglement. I just enjoy spending my time with these people! As for the hardest, well, I am trying to write these books for someone who has never read the ones that come before and also for the fans of the series. It’s hard to serve both kinds of readers.

7)     I know you are hard at work on the final book in this series.  What will it be called and can you share a bit about it?

I’m excited to share with you that Simon & Schuster has bought the third book. It is called The Covenant. Joanna Stafford finally returns to the court of Henry VIII—and nearly pays for that decision with her life. Someone is trying to kill her and she doesn’t know who. If you’ve read the first two books, you know that there are enough people to form a line. LOL. Also, Joanna will travel outside of England, as she did in The Chalice, but farther this time. And she will make a definitive decision on how she plans to spend the rest of her life, and with whom.

8)     In The Crown  Joanna brushes elbows with a number of famous historical characters like Catherine Howard and Stephen Gardiner, Bishop of Winchester.  In The Chalice you treated us to a face-to-face encounter between Joanna and Thomas Cromwell.  Who might we meet in book three?

In The Covenant, many things are going to come to a head that I have been writing about in The Crown and The Chalice. Joanna is a weaver of tapestries and Henry VIII is the most avid collector of tapestries in Europe (that’s true!), and so she will be pulled into the court and the inner circle of the king. Catherine Howard will play a larger role in the third book, which shouldn’t surprise those knowledgeable of history, but readers will see a new side to her and also get to know a much different Thomas Culpepper than has been depicted before. Joanna will stand up to Bishop Gardiner and the duke of Norfolk in this book!  And there will be some surprises too. Just as in The Chalice I brought in a character contemporary to this time not usually associated with the Tudors, I have a plan for two other fascinating folks.

9)     Like myself, you will be a panelist at the upcoming Historical Novel Society Conference, what is the topic of your panel and what can attendees look forward to learning if they attend?

The name of the panel is “Making It in the Mainstream and What Comes After.” I am honored to be on the same panel as Patricia Bracewell, Deborah Swift, Jenny Barden and Gillian Bagwell. We’re going to talk about what brought us this far and how we plan to keep going.

 

About Nancy:  Nancy Bilyeau is a writer and magazine editor who has worked on the staffs of InStyle, Rolling Stone, and Ladies’ Home Journal. She is currently the executive editor of DuJour magazine. She was born in Chicago and grew up in Michigan, earning a bachelor’s degree from the University of Michigan. Now she lives in New York City with her husband and two children. Her first novel, The Crown, was nominated for an Ellis Peters Historical Dagger Award 2012 by the Crime Writers’ Association, given to Best Historical Crime Novel.

Today I am finishing up my very enjoyable “Lucky-7” anniversary blog tour with an interview at Enchanted by Josephine where I answer questions about my writing process and what I am working on now. There is a giveaway in conjunction with my chat, so if you have friend who’d like to read The Sister Queens please point her in the right direction. Oh, and Enchanted reviewed The Sister Queens yesterday, saying:

Elegantly written with strong prose and meticulous research, The Sister Queens is a great debut for author Sophie Perinot!”

Talk about ending on a high note!

I’ve been tagged by the talented historical thriller writer Nancy Bilyeau (author of The Crown) in a blog game called The Next Big Thing. The game involves authors answering questions about their work in progress (aka WIP). So I am “it” for the moment, and I am off to the 16th century to talk about the mother-daughter story I am writing. Come along! Will my WIP be the next big thing? I sure hope so, but only readers can make that decision.

Here we go. . . my answers to the OFFICIAL “Ten Questions for The Next Big Thing”:

1. What is the working title of your book?

Daughter of de Medici

2. Where did the idea come from for the book?

Young Marguerite de Valois as painted by Clouet

It sprang from the intersection between two strong personal interests. First, I have been fascinated with the Valois royal line since I read Alexandre Dumas’ book La Reine Margot as a teen, and I’ve been particularly obsessed with the oft maligned Marguerite de Valois, youngest daughter of Catherine de Medici and Henri II of France. Second, I have a preoccupation with the relationships that shape women’s lives—especially formative female-to-female relationships. Daughter of de Medici unites those two interests by exploring the sacred, complicated and oh-so-seminal mother-daughter relationship with Marguerite de Valois and Catherine de Medici as main characters.

3. What genre does your book fall under?

Historical fiction. I just can’t imagine writing about the present.

4. Which actors would you choose to play your characters in a movie rendition?

I would cast Keira Knightley to play Marguerite as she has both the beauty (Marguerite was often called the loveliest woman in France) and the depth for the role. If Keira was busy I’d cast Natalie Portman. I’d want Virna Lisi to play Catherine de Medici because she did a breathtaking job in that role in Patrice Chéreau’s 1994 film La Reine Margot.

As for the men in Marguerite’s life, I would cast Benedict Cumberbatch as Henri, Duc de Guise (Marguerite’s first love) or Robert Pattinson if Benny is deemed too old. I’d choose Joseph Gordon-Levitt as Marguerite’s older brother Henri, Duc d’Anjou (future Henri III of France) and Nicholas Hoult as her younger brother François, Duc d’Alençon. I am genuinely stumped on casting Henri de Navarre (Marguerite’s husband and the future Henri IV of France). I am sure the moment I post this I will think of THE perfect casting but for now I’d probably choose Jesse Eisenberg or Anton Yelchin.

5. What is the one-sentence synopsis of your book?

Not really a synopsis—more of a tag line: “Every mother-daughter relationship is fraught with peril. Her mother was Catherine de Medici.” Continue reading »

It is my very great pleasure today to welcome friend and fellow historical fiction writer Nancy Bilyeau to the blog. Nancy’s riveting historical thriller The Crown released in paperback earlier this month. Critically acclaimed since its hardcover debut in January, “O” (The Oprah Magazine) called The Crown, “A juicy blend of lust, murder, conspiracy, and betrayal.” I’ve read it. O is right.

First a blurb to tantalize you: London, May 1537. When Joanna Stafford, a novice nun, learns her cousin is about to be burned at the stake for rebelling against Henry VIII, she makes a decision that will change not only her life but quite possibly, the fate of a nation. Joanna breaks the sacred rule of enclosure and runs away from Dartford Priory to bear witness to her cousin’s execution.
Arrested along with her father at the site of the burning and sent to the Tower of London, Joanna finds herself a pawn in a deadly power struggle. Those closest to the throne are locked in a fierce fight w those desperate to save England’s monasteries from destruction. Charged with a mission to find a hidden relic believed to possess a deadly mystical power, Joanna and a troubled young friar, Brother Edmund, seek answers and clues across England.

And now some questions to take you behind cover-copy (and it’s no exaggeration to say Nancy reveals some things here she has never told readers before):

1) What inspired you to choose a fictional Dominican nun as the heroine of The Crown?

I first chose to set a book in the 16th century—simply because it is my favorite century from history. I love mysteries and thrillers, and wanted to attempt to write one with a female protagonist. It took me a long time to figure out who would be the person. I didn’t want a royal or lady in waiting, yet someone living in a Tudor village, I feared it would be too hard to inject that woman into conflict that rises to the level of a thriller. A nun struggling for her future in the middle of the Dissolution of the Monasteries—when the Catholic Church was being violently dismantled—could be quite compelling. Finally, I picked a Dominican because there was only one such order in England, and that made it special.

2) I found it refreshing that Joanna stayed “in character”—true to the religious sentiments one would expect a 16th century nun to have. How difficult was it for you to achieve that? Do you think it was a risky choice given you are writing for a modern—and generally rather skeptical—audience?

One of my pet peeves is characters in historical novels who have modern sensibilities. It’s the easy way out. There is some strange part of my personality that compels me toward the most difficult choices. Sometimes I wish it were otherwise! But as soon as I decided on a nun, I was determined to make her authentic to the spiritual values of the period. I didn’t want to write a book with a reluctant nun who is forced into it by her father or retreats to a priory after rejection by a man. Again, that’s the easy way out. I did worry that readers would be turned off by a spiritual woman but I’ve not seen that reaction. Readers of historical fiction are eager for authentic behavior, I’m more convinced of that than ever. Commit anachronisms at your peril!

The way I tried to achieve it was reading what women in religious orders actually wrote: Catherine of Siena, Hildegarde of Bingen, Teresa of Avila. That helped get me in the proper mood. Also a writing teacher recommended I research the lives of the early female Catholic saints, the ones who were torn to pieces in the Roman Coliseum or who became martyrs in the Dark Ages and medieval period. The thinking of these women is about as far from a 21st century mindset as you can get. Just fascinating.

 3) Your book doesn’t shy away from the unsavory sights or the more malodorous smells of life in Tudor England. In fact, in Joanna’s opening trip to Smithfield the revolting plays a large role. Of course accurate historical details help bring readers to a specific place and time, but I was struck by your very evident emphasis on the unsavory at the beginning of the book. Why specifically did you choose to highlight the grimy side of the 16th century?

I’ve written screenplays and that is a key part of what I like to do: Write visually. It’s not just dialogue and direct character action. I try to do all the research so I can put you on the street, inside the priory cloister, in a barge on the Thames. I wanted to time-travel the reader from the very beginning: You are on your way to Smithfield on execution day in May of 1537, you’re scared and you’re hungry and you’re exhausted—but still resolute. This is what it would feel like, smell like, sound like. Even taste like.

 4) Besides Joanna, who is your favorite character in The Crown? Who is your least favorite? Why?

Brother Edmund is my second favorite—I like to think that he is a pretty original character and for some reason I have tremendous sympathy for him. He’s a mix of strengths and weaknesses. I tried my best to make all the characters nuanced. I don’t like two-dimensional people hurtling through thrillers. Or characters with worn-out identifying descriptions: a natural beauty, a strong-jawed man. Ugh.

My least favorite character? Hmmmm. That’s an interesting question. Did I create a character I personally would dislike? Apart from George Boleyn—and I can’t give away why I wouldn’t want to have encountered him at a tender age, or else that would be a spoiler—it would have to be the young prioress. She was inspired by a boss I once had—a very difficult one. In fact, I drew on my personal work history, my years in the magazine business, when depicting life in the priory. I thought about it a lot, and decided that though the stereotype of a nunnery was of graceful, serene ladies floating down the halls in harmony, I imagined that there would be the rivalries and tensions found in any group of people essentially working together, and in this case living together too. I was very happy to receive an email from a Dominican nun and two emails from friars that said I captured correctly the essential feeling of life in an enclosed religious community.

5) Where have you traveled for inspiration and research for The Crown?

I’ve traveled to most of the places that Sister Joanna Stafford travels to: Dartford, Smithfield, and the Tower of London. Even though the present Tower is closest to what it was in the 1530s, I felt most connected to Joanna in Dartford, in Kent. I walked along the remains of the stone wall that once surrounded the priory of sisters. That is all that remains.
But since I live in New York City, my research trips to England can’t happen as often as I’d like. For inspiration closer to home, I go to the Cloisters Gardens and Museum of the Metropolitan Museum of Art. For anyone who hasn’t had a chance to visit, go! The Cloisters was assembled in the 1930s from a series of medieval French abbeys that they brought over, brick by brick. The re-created rooms are filled with paintings, sculpture, and exquisite objects contemporary to that time. In fact, I got the idea for a murder weapon in The Crown while walking through the Cloisters! I’ve never told any other interviewer that.

 6) Truth is often stranger than fiction. During your research for The Crown what was the most unusual or unexpected thing you discovered?

There were certain things I discovered about King Athelstan, the dark ages Saxon monarch, that really surprised me. As much as the Tudor monarchs are over-exposed in some people’s eyes, Athelstan is under-exposed. He arguably was the first king of Britain after he won a enormous battle against the Vikings and the Scots—and no one even knows where the battle was fought. There’s also the question of his sexuality. So interesting.

 7) Authors of historical novels walk a line between known historical facts and fiction. Where do you draw the line on your personal map between accuracy and imagination?

My book is not the kind of historical fiction that tells the story, with imagination and new insights, of famous people who once lived. Some “real” people populate The Crown, but most of the characters are from my imagination. And my thriller plot is rather audacious—that’s what folks tell me. So I mixed the carefully researched truth with the fantastical on many pages.

8. Is there anything you’d like to tell us about the Tudor period which even avid readers of Tudor-era fiction might not know—perhaps a preconception you’d like to overturn?

I had no religious or political agenda whatsoever when I started researching this book. But the deeper I got into it, the more I became convinced that the stereotype of a decaying Catholic church that had lost its relevance was wrong. History certainly was written by the winners when it came to the English Reformation. Dartford Priory, where I set most of the book, was a vital center of intellectual achievement and pious observance. Also there was an infirmary in the town run by the priory as well as an almshouse for the poor, and local girls were taught to read there. All that was eliminated when the priory “surrendered” to the will of Henry VIII and the sisters were turned out.

9) Which is most likely to spark the idea for a Nancy Bilyeau novel—a time period, a specific event or a character?

Time period. I am drawn to the time and place, and after that the characters come. Hmmmm. Is that unusual?

10) Do you have a special writing spot—a lair perhaps where you like to do your work? Is there a picture you could share with readers?

Nancy's writing lair (at least while her laptop battery holds) -- The Cloisters in NYC

I’d give anything for a lair. I wrote The Crown at the New York Public Library, my kitchen table and various Starbucks. But when I had to write a key scene and needed to get into the mood, I would pack up the laptop and head for The Cloisters. The perfect environment. However, the battery on my laptop would run out in two hours and there are no plugs for writers. Still, I’d take it to the chapter house and sit on the stone “bench” and tap away furiously till the power drained – or the guards started coming after me.

11) If you could read any book again for the first time, what would it be and why?

Rebecca. I read it first when I was in high school and it made a deep and lasting impression on me. I’d like to feel the thrill of some of those revelations again. Since then I’ve re-read it at least six times and come away with a boundless respect for Daphne du Maurier’s craft and also I am so curious about some things in the book. For instance, when Max de Winter tells his second wife that on their honeymoon, Rebecca, laughing, her black hair blowing in the wind, told him things about herself “that I would never repeat to a living soul,” I would love to know—What are those things?

12) I know you are hard at work on the next book in this series, The Chalice, can you share a bit about the new book?

It’s my sequel to The Crown. It’s darker in some ways, with even higher stakes. More executions. And more romance too.

13) In The Crown a Joanna brushes elbows with a number of famous historical characters like Catherine Howard and Stephen Gardiner, Bishop of Winchester, can we expect more cameos from the rich and famous in your sequel? Who might we meet?

Oh I had such a fantastic time researching the “real” people of the time. Gardiner returns, of course; this time Joanna encounters not one but two women who marry Henry VIII. There are a number of aristocrats of the time who played very important parts in history but are not often written about—I put them to work in The Chalice. And finally, Joanna comes face to face with none other than Thomas Cromwell.

About Nancy: Nancy Bilyeau is a writer and magazine editor who has worked on the staffs of InStyle, Rolling Stone, and Ladies’ Home Journal. She is currently the executive editor of DuJour magazine. She was born in Chicago and grew up in Michigan, earning a bachelor’s degree from the University of Michigan. Now she lives in New York City with her husband and two children. The Crown was nominated for an Ellis Peters Historical Dagger Award 2012 by the Crime Writers’ Association, given to Best Historical Crime Novel. Nancy has finished writing a sequel to The Crown, which is called The Chalice.

Today I am lucky enough to be the guest blogger over at the terrific What Women Write. I am talking about the measure of a man—or at least “H”istory’s measure—and taking issue with the traditional definition of success. Stop by and read all about it.

Of if you are in the mood to find out what advice I would give my pre-book-launch self if I had a time machine, stop over at fellow historical author Erika Robuck’s blog. She’s doing a six month anniversary interview with me.

Sep 112012

No, seriously. Watch it.

This Friday I will inaugurate a series of interviews called “Get to Know the Writers I Know” with a guest appearance by Nancy Bilyeau, author of The Crown.  Then ten days later I’ll be speaking (well, you know what I mean) with Erika Robuck, author of Hemmingway’s Girl.  As you may suspect from what I’ve posted in this space (or as you know for certain if you’ve ever met me) I am not shy, so you can expect some probing questions and interesting answers.

Sep 062012

Today is a very special anniversary.  The Sister Queens released six months ago.

The process of becoming a published author has its ups and downs.  So too the post book launch period.  But, passing this milestone, I want to acknowledge that readers have provided the highpoints of my personal journey.  Thank you. I am appreciative of every person who plunked down their hard earned money to buy my debut.  I am grateful to the folks who recommended The Sister Queens to friends, family, book clubs etc., as well as to those who reviewed the novel.  Finally, I’ve been touched and moved by the wonderful notes, emails and messages readers have sent me that: shared their thoughts on the book, told me how my story resonated with their own lives, and related tales of their bonds with their own sisters.

Bless you.  Bless you all.

Today I am chatting with the marvelous Erin at Oh for the Hook of a Book.  She had some very unique questions for me, including whether the Christian undertones in my novel were intentional. 

Erin also reviews The Sister Queens, saying it is:

 one to mark down for the greatest of novels list and reads visually as a theatrical movie

 

I won’t keep you in suspense; quotes from these authors embody guiding principals of my life.  I share them (along with several other favorite quotes)  in an interview at Layered Pages today.  I also discuss why I find Louis IX of France even less likeable than his harridan of a mother, Blanch of Castile.  Please stop by, Stephanie asked some excellent questions!

Another double-dip day for me in blog-land my friends. 

First, I discuss how The Sister Queen’s focus on how sisters shape each other makes it very personal in an interview with Kathleen at Celtic Lady’s Reviews. Kathleen and I also chat about how I got interested in writing historical fiction and what my typical writing day looks like.

Then, The Sister Queens is reviewed at Luxury Reading (“I found myself sucked into the story and could not put the book down”).